Filed under: Restaurants

Blog: Eating in Piedmont #food #wine #italy

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In a recent post on the wines of Piemonte I wrote: you will be hard pressed to eat better in Italy - in the world maybe - than in Piedmont. The typical dishes of the local osterias like vitello tonnato and agnolotti del plin have been honed to exacting precision over the centuries. Tajarin al sugo, for example, is really not open to interpretation--the point is to do it well!

Even bagna cauda, which seems nothing more than a simple relish tray, is a thing of profound culinary pleasure. On my first night here in Alba, I walked straight to the Ceretto-owned Osteria La Piola where I had hoped to satisfy my year-long craving for carne cruda, the Piemontese specialty of chopped raw veal. On this particular night, the restaurant was paying homage to bagna cauda, a dish that is normally taken at home among friends given its communal nature of dipping vegetables in a cauldron of hot oil and anchovy. Raviolo in brodo was promised at the end so I thought I could suffer through a platter of raw vegetables. Yet when I crunched into that last cardoon and the last piece of bread sopped up the last bit of oil--I wanted more!

Sunday was a day of snow in the Langhe. At least a foot had fallen by morning and all of my winery visits were postponed. Without wi-fi or even a magazine to read I ventured out onto the streets of Alba in search of an English language newspaper. What I found instead was a translated copy of Nonna Genia, the classic work of Luciano de Giacomi and Beppe Lodi on the cooking of the Langhe region. With a bottle of Barbera and a slice of bakery pizza I read the book cover to cover that afternoon before going back in the snow to find a plate of tajarin.

From Nona Genia:
"In the culinary world tradition is not accorded the same respect it enjoys in other arts. We have great museums proudly showcasing their masterpieces from every era of human endeavour, acclaimed orchestras performing classical music throughout the world and collectors avidly competing for old masters, thereby driving up their value.

But in the culinary world, value is placed not so much on tradition as on the new. Today's culinary culture has adopted the mentality of the fashion world, where "tradition" is almost an embarrassing word."

San Francisco Restaurant: Una Pizzeria (SoMa)

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The master at work.

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Marinara, Margherita x 2, Bianca, Filetti, Ilario. 

Four people, five pies, purple fizzy wine, best in the USA. That is all.

Una Pizzeria Napoletana
210 11th Street
San Francisco, CA 94103
www.unapizza.com/sf/

Omaha Restaurant: The Grey Plume (Midtown)

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One final post from our recent trip to Nebraska. I regret not posting about my second of two meals at The Boiler Room but the photos did not do the dishes justice and I was partially on the clock. This second of two meals included the four best dishes I have ever eaten from Chef Kulik including Saunders Farm rabbit loin that had been meticulously butchered as well as an extremely delicious whole wheat bucatini dish that would put most American restaurant pastas to shame. One final regret is that I did not post from Bread & Cup in Lincoln but I'll get to this on my next trip back to the homestate.

The Grey Plume is the long anticipated first restaurant of Chef Clayton Chapman. Chef Chapman is an Omaha native and has put in some time with Chicago's Tru and with Chef Laurent Gras. Chapman resurfaced in Omaha as V.Mertz's executive chef with guns blazin' and wowed guests there for a short time with a Tru-influenced multi-course tasting menu. That was just a warmup.

The Grey Plume is a well-conceived space in Omaha's new Midtown development with clean lines and a modern design. I've now dined at the Grey Plume five times for lunch since its December opening and have made brief dinnertime appearances though I have yet to experience the full TGP dinner service.

The TGP lunch menu is short and concise and-like the Boiler Room-features the areas best organic food purveyors including heritage pork from TD Niche, Wagyu beef from Majinola and produce from Bloomsorganic and Blacksheep Farms.

Chef Clayton's cooking is technique-heavy and reflects his training with a lot of touches on the plate. Sometimes there are a few too many touches for my liking and often a few too many ingredients in his dishes but the cooking is from scratch and honest and never veers into the absurd arena of cocina de vangaurdia or anything like that.

Standouts from my recent visit included house charcuterie, a delicious potato soup, braised rabbit pizzette and an agnolotti dish with black trumpet mushrooms and local asparagus. These dishes are compact with ingredients but flavors remain clean and-for the most part-delineated. The one thing I can say for certain is that TGP will be a better restaurant next year than it is today and that Chef Chapman's cooking will evolve into something very personal, refined and undoubtedly magnificent as time goes by. I am really looking forward to watching his evolution.

Wines at TGP were initially selected by a Chicago consultant and the original list seemed to be more about ideas than great producers. I believe the program is now on sound footing with sommeliers Joy Patton and Haley Dale making the selections. Joy and Haley are full of enthusiasm and hungry for knowledge and the wine list now feels more alive with more interesting producers and more interesting wines to choose from.

Coffee is roasted in house on a beautiful San Franciscan coffee roaster (a hobby of Chapman) and is served as French press. Bread is baked in house and has been very good on most visits. Service is excellent.

The Grey Plume
220 S. 31st Ave., Ste 3101
Omaha, NE 68131
402-763-4447
www.thegreyplume.com

Weingut Wittmann and two aged Arbois

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Tom S., the great Jura enthusiast and old wine drinker, had originally planned his annual Jura blowout known as the "Hobbits Dinner" (I do not know why he calls it the Hobbits Dinner) for the spring but moved it to the fall. We've also been exchanging e-mails about the wines of Philipp Wittmann who, along with Keller, are helping to raise the profile of the Rheinhessen.

We met at Tom's favorite restaurant last night for a sort of Arbois/Wittmann mashup. Tom supplied the two Arbois wines which were both quite old and from a now defunct négociant named Louis Cartier. Such disparate wines can be a challenge for any restaurant to cook to and Chef Kulik and his staff at The Boiler Room did a great job of adjusting the menu so the wines would show their best.

We tasted the 1949 Louis Cartier Arbois Blanc first and decided to roll with it for the first course: crudo of escolar, radish and lovage. While this was not such a successful pairing, the wine on its own was simply spectacular. Very fresh with an oxidative profile that seemed to be harmonious and complete rather than a distraction. Very complex with a distinctive black truffle quality that I've only previously encountered in very old and well-stored top-quality white Burgundy.

The 2007 Wittmann Riesling Aulerde Grosses Gewächs was my wine of the night. Stunning structure and length. Gorgeously complex with something Beth described as an orange oil flavor and Tom S. described as pink grapefruit. Grosses Gewächs wines like these are some of the most exciting dry white wines being produced in the world today and I am completely flummoxed by the lack of attention they receive in the United States.

The Wittmann was paired with croquette of tête de cochon with mustard seed and an English pea purée. A jaw-dropper of a dish and a fine pairing.

The 2001 Wittmann Riesling Spätlese Aulerde was paired with Fusilli pasta with botarga and mint. A constant theme throughout all of the Wittmann wines was a certain herbal note and this was really set off by the mint in this dish. Though a bit weird, this pairing ended up working really well on a lot of levels.

The final savory pairing was a 1945 Louis Cartier Arbois Rouge. I am really surprised that a wine like this (we believe it was mostly based on Poulsard) can have this much color, sweetness of fruit, and weight at over 60 years of age. Floral, complex and a pleasure to drink. Paired with rabbit leg and spinach sformato with a dusting of dried and smoked morel mushroom powder. A dish that had a few too many ingredients for my taste but was really seamless with the wine.

Wittmann and Klaus-Peter Keller share some of the same vineyards in the southern part of the Rheinhessen near Westhofen in the Wonnegau region. Westhofen is a few kilometers inland from the banks of the Rhine and far from the famed Roter Hang area where Gunderloch long producer their fabulous Nackenheimer Rothenberg Rieslings.

One specialty particular to Wittmann is his Albalonga. The 1998 Wittmann Westhofener Steingrube Albalonga BA was our final wine. Albalonga is a Silvaner and Rieslaner hybrid which is rarely seen. It makes outstanding sweet wines with very high acidity and lush texture. It is a wine that is way too young to consume but way too delicious not to drink.

San Francisco Restaurant: @CotognaSF (Jackson Square)

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Best pasta in America plus awesome meats and contorni from that wicked cool Universo Rotisserie. There's a pizzaiolo slinging pies out of the second half of the Universo [edit: the wood-burning pizza oven is Mam Forni, seperate from the Universo]. It's never occurred to me to order the pizza here (the pasta is just too good) and I'm having a hard time eating pizza anywhere other than Una these days.

Fluke crudo with Persian cucumber & green almond and Zucchini sformato should not be shared by three people. You will not be satisfied with just one bite so order entire portions for yourself.

Pastas consumed (best in the USA):
Tagliolini with ramps & pancetta
Agnolotti dal plin
Farm egg ravioli with brown butter

From la griglia (Universo magic):
Spit roasted pork loin with wild fennel
Leg of lamb with ramps and English peas

Wines consumed (all David Lynch; all $40):
2006 Cavallotto Freisa - We love Cavalotto and I can't recall ever tasting their Freisa.
2009 Mamete Prevostini Valtellina Botonero - Savory, dry, awesome value.
2007 Inama Carmenère Piu - Lynch surprised us with this one and I had forgotten that Stefano Inama produces this rare Italian Carmenère.

One final note: I've never noticed their Synesso espresso machine before last night. These hand-built machines are very expensive and a rare sight in a restaurant. There is serious commitment to excellence at Cotogna and the result is one of San Francisco's best restaurants.

Cotogna
490 Pacific Avenue
San Francisco, CA 94133
415-775-8508
www.cotognasf.com